A Journal
A personal journal that invites readers to design their own journeys through the world - with travel, dress and taste.
My work is shaped by seasonal rhythms, cultural, sensory and historical awareness, and expressions of independence. Language is my first love.
Workings of a Garment: a 1950’s rose-print cotton gown by Selfridges, in the style of Nina Ricci
Study and analysis of how this 1950’s cotton gown was constructed.
Sewing a square neck tiered midi dress in Liberty Heidi cotton poplin from 1970’s Style 1169 pattern
Fifth time I am using this pattern. Perfected the fit, and finally making with an expensive fabric, Liberty’s cotton poplin in Heidi. Absolute favourite make with this pattern so far. Lessons learnt and seam finishes used, with detailed dressmaking closeups.
Workings of a Garment: a Y2K Acne oversized long-line shirt, designer ready-to-wear
Study and analysis of how this Y2K oversized Acne blouse was constructed. Learnings and inspiration for improving my dressmaking up to designer ready-to-wear standards.
Sewing a pleated blouse in wool flannel from 1970’s Gunne Sax Simplicity 8907 pattern
Starting with a Gunne Sax pattern from the 1970’s, after some significant design amendments, made a cropped blouse in micro-houndstooth wool flannel. Lessons learnt.
Sewing a puff-sleeve midi dress in khaki green linen-cotton twill from 1970’s Style 1169 pattern
Fourth make with this pattern, following several refinements on fit and pattern instructions. Details on total make time, adjustments and seam finishes for square neck, puff sleeve, tiered maxi dress in a robust khaki green twill
Vogue September 1978
Striking fashion imagery from a vintage Vogue magazine, September 1978 edition.
Reflections on The Lost Art of Dress, by Linda Przybyszewski
A book about The Dress Doctors, a troop of women operating during the early-to-mid 20th century who advised American women on style and clothing throughout the Great Depression, World Wars and social upheaval. Teachers, writers, designers, and retailers, they were dismissed as backward in the late 60s but much of their theories and teachings still ring true for anyone looking to dress, budget and express themselves authentically, and with grace and personality.
Sewing an A-line skirt in bright red serge wool twill from 1990’s Style 2571 pattern
Sewing a midi skirt in bright red serge wool twill, using a 1990’s pattern. Details on total make time, adjustments and seam finishes, and lessons learnt.
Sewing high-waisted trousers in smooth serge wool twill from 1970’s Vogue 1275 pattern
Working with a 1970’s Vogue Basic Design pattern, sewing a pair of single pleat trousers in serge wool twill. Details on total make time, adjustments, seam finishes, and lessons learnt.
Sewing a boat neck summer dress with tie back in a novelty print cotton from Vogue 1102
Journal of my making a boat-neck dress with a shaped underbust seam and large tie bow at the back. Details on total make time, pattern adjustments and lessons learnt.
Sewing a man’s shirt in grey wool flannel from Simplicity 8753
My journal for making a man’s shirt using fine wool flannel, from a modern Simplicity pattern. Details on total make time, adjustments, seam finishes, and lessons learnt.
Sewing a button-up box-pleat skirt in electric blue cotton twill from McCalls 7906
Sewing a box-pleated midi skirt, in electric blue cotton twill, using a Y2K McCall’s pattern. Details on total make time, adjustments, seam finishes, and lessons learnt.
Leighton Denny nude polish, Mirage or Not
Colour scrutiny of Leighton Denny’s 3 Times a Lady nail polish, a mid-tone neutral nude creme.