Workings of a Garment: a 1950’s rose-print cotton gown
Study and analysis of how this summer gown was constructed.
Brand & Era
Selfridges (emulating Nina Ricci)
1950’s
Fabric type & weight
cotton, printed or possibly chintz
estimate 160-180gsm
NOTES FOR A DRESSMAKER
Fit - This is a close-fitting garment. Almost all fit is achieved through the princess seams, with only two darts at the side waist. Rather cleverly, given that this is a ready-made garment, the pleated section over the bust would disguise any less-than-perfect fit issues around the bust, making it wearable by different cup sizes without detracting from the finished look.
Panels - 8 total panels
Zip - metal teeth, cotton tape, lapped construction. Hook and thread-eye added across centre of zip to hold the lap down covering the zip, and at the top of the zip for ease of closure.
Seam allowance - very wide, around 1 inch/2.5cm. Much more common for this period, and allows for tailoring and adjustments by the owner for a better fit and longevity as the body changes shape. Also, since this is cotton, any let out seams should not have obvious pinholes if changed.
Interior seam finish - for the bodice, the seam allowance is turned-and-stitched. From the waist down, it is simply pinked. Note also the one clip at the waist to release the concave seam allowance. Considering this garment is around 70 years old, this simple and easy finish is clearly durable enough for this type of garment, in this type of fabric. No evidence of fraying (and I myself have worn this garment at least 8 times in the past few years).
Hem - evidence of original hem being very narrow 3mm double-fold hem, but a previous owner has hemmed again to shorten, fairly neatly but not as neat as the original.
Hand-finishing - thread loops would have been done by hand, and the pleated detail across the bust is also hand-tacked down in key places.
Notable absenses - no lining, no interfacing on any section, and no waist-stay (which I actually think would be very useful and protect the seams from any stress on such a fitted item.
Other Cotton Garments
Workings of a Garment: a Y2K Acne oversized long-line shirt
Learnings and inspiration for improving my dressmaking up to designer ready-to-wear standards.
Brand & Era
Acne
Y2K, 2013
Fabric type & weight
cotton poplin
estimate 140gsm
STYLE NOTES FOR A PETITE
This is not flattering on my petite frame - too much volume across the dropped shoulder, too much volume at the lower front, too much length overall in both bodice and sleeve.
It is the correct size for me (36) but it just goes to show why oversized is such a difficult silhouette to buy ready-made for a petite, particularly in designerwear, which seems to be sized for a 5’ 8” woman. Trying garments like this makes me more determined to get better and better at making my own oversized or loose-fitting garments.
Oversized is still a fit! Darts need to be in the right place, the volume needs to be proportionate, and it should all be balanced with subtle details that hint or show the figure underneath - such as cut-in shoulders, a tightly fitted cuff, a waist cut-out, or a bare arm or leg.
Other Oversized or Loose-fitting Garments
