High-waisted trousers in smooth serge wool twill
Working with a 1970’s Vogue Basic Design pattern, details on total make time, adjustments, seam finishes, and lessons learnt.
TOTAL TIME COMMITMENT: 9.5 hours, no toile (note these trousers are unlined)
Toile (without zip, buttons, lining, interior seam finishing, basting stitch removal or hemming): none
Cut out & transfer all pattern markings (both main fabric and lining): 1.5 hours
Main construction: 6.5 hours
Lining construction: none
Finishings (buttons, hem): 1.5 hours
PATTERN CHANGES
Increased zip length to 8” (for easier clearance over my hips)
SEAM FINISHING & DECORATIVE EXTRAS
Edgestitching at pocket opening
2 ½” hem, made using blind hem
Leg and crotch seams – overlock separately
Pocket bags – overlock together
VERDICT & LESSONS LEARNT
I need to be more careful and choosy about trousers with tucks:
- just because they fit at the waist, they may not be the best fit at the hips. The tucks need to have more room and ease to ‘billow’ over the hips and not cling. I have drafted a pattern with an extra 2 ½” at the hips
- when making a garment with these pleats/tucks, it may be better to fit them to have the waist band sit very slightly below my natural waist, to avoid the tucks ‘poofing’ over my stomach
This weight of wool, I am henceforth going to refer to a ‘trench weight’ wool. It is fine for use on some trousers and skirts, though better application would be a trench coat or a jacket. Its smooth and lovely to wear though, and I don’t find these trousers miss a lining.
VARIATION IDEAS FOR ANOTHER MAKE
Make in a very fluid fabric, such as a viscose crepe or viscose jacquard – should work really well with the pleats at the front, and especially if I lower the waist a teeny bit to sit just below my natural waist
Other 1970’s Sewing projects
Leighton Denny nude polish, Mirage or Not
Colour scrutiny of Leighton Denny’s 3 Times a Lady nail polish, a mid-tone neutral nude creme.
A dellightful nude that is neither too pink nor too yellow - a touch of both, so a solid neutral.
As I typically find with all Leighton Denny polish, the formulation is excellent, with lasting power both in the bottle (this won’t go off before I have had a chance to use it for several years) and on the nails.
Base coat is Essie Anchor, topped with, in my opinion, the best topcoat on the market - Leighton Denny’s In The Gloss.
Cotton lawn dress from Givenchy 1970’s Vogue Paris Original 1950 pattern
Shortening a 1970’s Givenchy pattern I have worked with before, turning midi into mini, my journal on making this dress in Pima cotton lawn in a busy print.
TOTAL TIME COMMITMENT: 20.5 hours
Cut out & transfer all pattern markings: 5 hours
Main construction: 10 hours
Lining construction: none
Finishings (buttons, hem): 5.5 hours
ADDITIONAL SEAM FINISHING, CONSTRUCTION NOTES & EXTRAS
4x side seams, armscye & pocket bags – bias bind together
Pocket-to-dress seam – French seam
Underarm – French seam
Shoulder seam – bias bind each side separately
Sleeve seam – French seam
VERDICT & LESSONS LEARNT
I find this fabric a bit ‘busy’ for my liking though I can’t pinpoint why………..I also think it really needs to be made in a plain fabric to really see those beautiful released tucks down the bodice.
VARIATION IDEAS FOR ANOTHER MAKE
Add a collar, turning the original mandarin collar into a collar stand?
Make in teal single wool crepe
Turn the sleeve into a half sleeve
Sewing Other Springwear
High-waisted trousers in linen-rayon blend
Working with a 1970’s Vogue Basic Design pattern, sewing a pair of single pleated trousers in loosely-woven rayon.
TOTAL TIME COMMITMENT: 25.5 hours including toile (note these trousers have been interlined)
Toile (without zip, buttons, lining, interior seam finishing, basting stitch removal or hemming): 12 hours
Cut out & transfer all pattern markings (both main fabric and interlining): 3 hours
Main construction: 9 hours
Lining construction: none
Finishings (hooks, hem): 1.5 hours
SEAM FINISHING & DECORATIVE EXTRAS
Outside leg seams – overlock together
Inside leg seams – overlock together
Pocket bags – overlock together
Crotch – overlock each side separately
Attach waistband - stitch-in-the-ditch
VERDICT & LESSONS LEARNT
This fabric was surprisingly difficult to work with, and very very wandering when cutting. I think it was the open weave. On the upside, it has made the most gorgeous pair of trousers – a lovely fabric for a fluid and classy drape
Interlining in the same fabric feels like a great idea! Added weight and depth to the trousers, without having to figure out a lining, or how a lining might change the garment drape. I would do this again, definitely
WAISTBAND THOUGHTS!!
For the first time, I didn’t fold the waistband exactly in half lengthways as the instructions tell you to, but just a little less than half on the outer side of the waistband, and a little more on the half that faces inside. This meant that the turned up edge on the inside easily covered the waistband seam and raw edges, and I could easily stitch-in-the-ditch on the outside without fear of not quite catching everything on the inside. This worked really well – I should do this on every waistband with similar instructions
This is the second made-to-measure garment where I have ended up with the waistband being too big by the end. I am not sure why this is – is it because the fabric has stretched slightly? Have I sewn a slightly smaller seam allowance? Due to the fabric wandering under the scissors, did I cut it too big in the first place? Not sure, but I have thought of three options to ensure a correctly sized waistband by the end:
Measure and draw out the waistband on the wrong size of the fabric with tailors chalk before sewing
Ignore the instructions and wait to sew the back darts until just before fitting the waistband; similarly, do not backstitch the side seams near the waistband so that I can unpick more easily if I need to take it in there later
Baste the waistband to the trousers before final stitching to check the fit
I sewed the belt loops in the wrong place, which also didn’t help with the waistband fit as it started to dictate the waistband placement – in the future, I need to ignore the instructions to follow the above steps first before applying the belt loops

